It’s the part where I’m most likely to give up. ![]() I like doing the color combos, but I don’t like the blending and shading. My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. What is the hardest part of your process? I made 13 of those, and they kind of took off! I wasn’t expecting that at all. So, a faerie with a spiked club or a butterfly faerie with a katana. Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. Have any of your projects surprised you with their outcome? They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. I create art because I’m inspired by things around me, like certain video games. If there is one thing you want your audience to remember about your work, what would it be? I’m like failing, but you know, you get there. I’m trying to get into actual impressionistic art with oils and oil pastels. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. Yeah, actually, I currently am! I’m trying to do more traditional painting. Have you ever wanted to dive into another medium before? I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party. Which three famous artists (dead or alive) would you invite to your dinner party? If I really want to draw something, then I just flip through those and try to steal some ideas. I have one right now! Honestly, with time, and I also collect art books I think I have a couple hundred. Have you ever had an art block? If so, how did you overcome it? I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did. People started asking me to draw things because they saw me drawing horses. It started because I wanted to draw better horses than my sister, and it just spiraled from there. I’m going to say yes because that’s all I’ve known how to do. Very cool,” Zangewa said.Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.Ĭheck out our interview with Geneva below! How did you get started with art? Did you originally have a background in art? It’s like engaging in a collaborative performance piece, where those carrying the bag are the players executing it. “The thought of it being carried by different women all over the world is so exciting for me. Sending the bag out into the world is the ultimate satisfaction. What I do is really quite basic but I have some understanding of surface and texture and conveying ideas through the exploration of them,” she added. “I have deep respect for the Louis Vuitton team and enjoyed the process immensely. I learned that there are super-efficient people out there that can realize just about every vision and I was shown that just about anything was possible in terms of rendering,” she recalled. “The process of realizing the bag was so educational for me. It sparked my imagination and creativity,” she said in a Q&A provided by Vuitton.įor her Artycapucines design, she worked with the Vuitton artisans to recreate her work “The Swimming Lesson” using a combination of high-definition, trompe-l’oeil printing, embroidery and intentionally visible hand-stitching. I loved looking through fashion magazines, full of color and crazy shapes. I missed having color and variety around me. “I remember that at that time in Poland the streets were gray. “When I first began this project, I immediately considered the bag as a moveable sculpture, which is designed to be seen from every angle, creating a continuous image,” she explained.įor Juszkiewicz, who grew up in Poland in the ‘80s and ‘90s, fashion was a portal into her art practice. With details like mint candy feet made of resin, and an enamel gingerbread man with LV monogram flower buttons, it’s a three-dimensional project designed to engage the senses. The smallest bag in the collection so far, her mini Artycapucines uses leather patchwork and marquetry in vivid colors to evoke the saccharine hit of a sweet treat. It is definitely a liberating and exciting opportunity for my work to go beyond the context of gallery walls to everyday environments,” said Wang, the Chinese-born, U.S.-educated artist whose paintings and drawings are inspired by the visual overload of the digital era. ![]() “I am excited to see how people wear it, style it, and see people interact with it. Ziping Wang’s Artycapucines design at her studio.
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